Wide, large, it captures a lot more than the subject
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I have to learn to think about the whole scene: the relevance of the background
With all this visual field it is difficult for the subject to “fall out of frame”
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I can also shoot without looking through the viewfinder trying new perspectives *
If I want to isolate a part of the scene or the subject, I need to get closer
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I enter into the scene and I am forced to become a part of it
I need to know what’s happening to be able to move in the scene both physically and emotionally, and not just to suffer it
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I have to learn how to mix techniques and emotions. I need to know how to estrange myself from the emotional flow and, at the same time, to be part of what’s happening, because this is (one of ) the way to get the best shot (and is not a small thing !!!)
* Probably someone will curse and excommunicate me for this statement … who cares, I do not like to put limits to creativity!
Marco "BUZZ" Busato 
Exactly same i feel when i use Horizon202 for the live action photography. To enjoy the moment and to try to be a part of what is going – this is the way. 😉 great sample btw
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Oh, i’ve never heard about the Horizon202, i will check for some info! For me the next step will be the Bessa L with 15mm Heliar.
Glad that you liked the sample, it is from of my ongoing project “Photo Shove” https://marcobusato.com/portfolio/photo-shove/
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Here is my post with many samples taken with this camera. I have many to scan but time is always a problem ;-)) http://www.victorbezrukov.com/category/horizon202/
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hahahha oh yeah…i hate to scan negs hahahha… BTW great photos! The horizon seems a lovely camera but the “panoramic” format is not for me
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